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Dated 1996
and creative use
they form a sustained meditation on impermanence
An evocative floral arrangement submerged in water
this photograph embodies both serenity and mystery withou the use of post production
a veiled skull under water with a crown of thorns religious-iconography Dated 1996The Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,
